In New York, Mr. Enwezor’s major exhibitions include “The Short Century,” a history of modern African art and decolonization movements, seen at MoMA PS1 in 2002; and “Rise and Fall of Apartheid,” an exhibition of South African photographers at the International Center of Photography in 2012. In 2015 he was curator of the Venice Biennale, becoming one of only two people to organize both that show and Documenta, Europe’s two leading exhibitions of contemporary art.
At the Haus der Kunst, Mr. Enwezor drew acclaim for “Postwar: Art Between the Pacific and the Atlantic, 1945-1965,” an effort to tell a global narrative of art in the two decades after World War II. Established names like Jackson Pollock and Frank Stella hung alongside artists from Iran, Mozambique, China and Mexico.
Mr. Enwezor’s tenure at the Haus der Kunst was tainted by a bizarre scandal involving a human resources manager who pressured employees to join the Church of Scientology, which is strictly monitored by the German authorities, though not illegal. The museum also faced funding problems, and in 2017 it appointed a managing director to lead the museum alongside Mr. Enwezor as artistic director.
“There is never an ideal time to leave, but I am stepping down when the Haus der Kunst is in an artistic position of strength,” Mr. Enwezor said in a statement.