During an evening walk in Morocco in 2013, filmmaker Park Chan-wook came across a cluster of white parasols in a hotel restaurant, waiting silently for the next batch of customers with a ghostly presence. “I felt like I could almost hear their murmurs and whispers when the night fell,” he said. This chance encounter was enough of a reason for him to stop everything else, take out a camera and immortalize that moment in a still frame. Titled “Face 16,” the piece is one of many photographic works created over two decades by the film director, who is known for cinematic masterpieces like “Oldboy” (2003), “Lady Vengeance” (2005) and “The Handmaiden” (2016), and are now on display at his first solo exhibition at Kukje Gallery Busan.

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